
WWA
presents the Owen Wister Award
each year for
lifelong contributions to the field
of western literature. Recent
winners include
John Jakes, Andrew J. Fenady, Douglas C.
Jones, David Lavender, Max
Evans and
Richard S. Wheeler (pictured left).
Honor Roll of Lifetime Achievement:
Saddleman and Wister Award Winners
By Dale L. Walker
The Saddleman Award
Sponsored by Levi Strauss Corporation
of San Francisco, the Saddleman Award made its debut at the Fort Smith,
Arkansas, convention of Western Writers of America, Inc., on June 22,
1961, with the award presented to Will Henry (Henry Wilson Allen).
The polished bronze statuette of a
cowboy (in Levi’s, of course) with a saddle slung over his right shoulder,
a branding iron in his left hand -- was the work of Bay Area sculptor
Spero Anargyros.
Originally, the award was given to the
author of the best book of the year (from the then five Spur categories:
nonfiction, historical novel, novel, juvenile, and "short material") but
in 1967 was designated for "Outstanding Contributions to the American
West"-- a rule, since changed, that permitted the award to be given to
non-writers such as John Wayne, John Ford, and Clint Eastwood.
Levi Strauss sponsored the Saddleman
for thirty years.
The Saddleman honorees are:
Will
Henry (1961)
An immortal among Western novelists,
Henry Wilson Allen, under his pennames Will Henry--the name he preferred,
personally and professionally--and Clay Fisher, produced fifty novels
between 1950 (the year of his No Survivors and, as Clay Fisher, Red
Blizzard) and his death in 1991.
A native of Kansas City, Allen
drifted to California in 1932, began working as a writer at MGM, and with
the advent of television wrote scripts for "Zane Grey Theater" and "Tales
of Wells Fargo." Among feature films made from his books are The Tall Man,
Journey to Shiloh, Mackenna’s Gold, Yellowstone Kelly, and
Tom Horn. His
best known books, most remaining in print today, are Santa Fe Passage,
Who
Rides With Wyatt, Alias Butch Cassidy, From Where the Sun Now Stands (his
personal favorite), The Gates of the Mountains, and Chiricahua.
Jeanne Williams (1962)
Also a Kansas native (born in Elkhart
in 1930), Jeanne Williams is renowned as a gifted writer and a world
traveler who knows no boundaries of time, place, or theme in her work. She
has written children’s books, novels of what she calls "the Western
experience as it affected women," and mainstream books set in medieval
Wales, in England, Ireland, Russia, Norway, Mexico, and Brazil. A Lady
Bought With Rifles, A Woman Clothed in Sun, the "Arizona Saga" (The
Valiant Women, Harvest of Fury, and A Mating of Hawks), No Roof But
Heaven, Oh, Susanna!, Harvest of Fury, The Cave Dreamers, and
The Island
Harp, are among her best-loved works.
A WWA president and four-time Spur
Award winner, Williams lives in Portal, Arizona.
Fred Grove (1963)
Frederick Herridge "Fred" Grove’s
father was a trail driver and rancher, his mother of Osage and Sioux
descent. A five-time Spur Award recipient, Grove, born in Hominy,
Oklahoma, in 1913, is a journalism graduate of the University of Oklahoma
where he studied under W. Foster-Harris and Walter Campbell. A
newspaperman in his home state and in Texas, and a Western writer since
the 1950s, Grove is acclaimed for his novels of the Apache wars, the Civil
War, and quarter horse racing, with such books as No Bugles, No Glory,
Warrior Road, Comanche Captives, The Buffalo Runners,
Match Race, The
Great Horse Race, A Far Trumpet, and Red River Stage.
He lives with his wife Lucille (they
were married in 1937) in Tucson.
Mari
Sandoz (1964)
A distinctive stylist in such books as
Crazy Horse: The Strange Man of the Oglalas, Winter Thunder,
Love Song to
the Plains, and Cheyenne Autumn, Nebraskan Mari Sandoz (1896-1966) also
wrote short fiction and children’s stories, deftly mixing history and
fiction in all her work. Much of her fiction centers on the Niobrara River
and Sandhill country of western Nebraska. She wrote often of the Sioux and
Cheyenne people and her "nonfiction novel" of Crazy Horse, and her
depictions of Dull Knife and Little Wolf of the Cheyenne, are especially
memorable.
Sandoz worked as a schoolteacher,
proofreader, and editor while working on her first book, Old Jules (1935),
the story of her father’s life as a homesteader on the Nebraska frontier.
Benjamin
Capps (1965)
"Unlike most of us," the late Will
Henry once wrote, "Ben Capps has never written an unimportant novel." Time
has proven the accuracy of this high praise for Henry’s friend and
contemporary.
Capps (1922-2002), born in Dundee,
Texas, was an Army Air Force veteran of WW2, and an English and journalism
professor before his first novel, Hanging at Comanche Wells, appeared in
1962. The Trail to Ogallala--still considered one of the supreme trail
drive novels--followed in 1964. Sam Chance, A Woman of the People, and
The
White Man’s Road, are especially prized among Capps’s novels. The author
also contributed two books (The Indians, The Great Chiefs) to the
Time-Life "Old West" series.
Alvin M. Josephy, Jr. (1966)
Journalist-editor-historian Alvin
Josephy, a New Yorker (born in 1915) and a nephew of publisher Alfred
Knopf, was encouraged to pursue a writing career by a family friend, the
great newspaperman and critic, H.L. Mencken.
Josephy has been an editor and writer
for American Heritage and Time, served as the first chairman of the
National Museum of the American Indian at the Smithsonian Institution, and
has a life-long interest in the American West and advocacy for Indian
nations.
His books, gracefully written and
painstakingly researched, include The Patriot Chiefs, The Nez Perce and
the Opening of the Northwest, The Civil War in the West, and most
recently, A Walk Toward Oregon.
S.
Omar Barker (1967)
The father of cowboy poets, a fine
short story writer, a president and founding member of Western Writers of
America, S. (Squire) Omar Barker (1894-1985) grew up in Beulah, New
Mexico. He served as an engineer in France in WWI, as a school teacher,
forest ranger, state legislator, and musician, and wrote prolifically, in
pulp and slick magazines (regularly appearing in the Saturday Evening
Post) from 1924 until his death.
Barker’s single novel,
Little World
Apart, appeared in 1966; his poetry collection, Rawhide Rhymes (1968) was
a pathmarker in the cowboy poetry movement, and he wrote many children’s
books under the name "Dan Scott."
Nelson
C. Nye (1968)
In a brotherhood that includes Max
Brand, Lauran Paine, and Louis L’Amour, Chicagoan Nelson Nye (1907-1997)
was among the most prolific Western writers of all time. He produced
something close to 125 books from the first, Two-Fisted Cowpoke, in 1936,
until he retired from writing in 1971, having, he said, "just lost the
bug." He also wrote under the name Clem Colt.
Nye had no pretense about his
Westerns, recalled that he once wrote three novels in sixty days and often
wrote six a year. Even so, he was a best-selling Western writer for thirty
years and wrote many "serious" books (such as Long Run, which won a Spur
Award in 1960), and books on raising quarter horses.
He was the WWA founder (with Thomas
Thompson), its first president, and the first editor of The Roundup.
Frederick D. Glidden (1969)
In a forty-year career as Western
novelist, Frederick Dilley Glidden (1908-1975), best-known by his Luke
Short penname, wrote contemporaneously with Louis L’Amour and Ernest
Haycox. Glidden produced fifty novels published by some of America’s
finest houses, Macmillan (And the Wind Blows Free), Houghton Mifflin (High
Vermilion), Doubleday (Ride the Man Down), Random House (Rimrock), and
Bantam (Paper Sheriff, Debt of Honor, many others).
Born in Kewanee, Illinois, and
educated at the University of Missouri, the author worked as a journalist
and trapper before his first novel, The Feud at Single Shot, appeared in
1936.
Glidden’s brother Jonathan, writing
under the name Peter Dawson, was also a prolific Western writer in the
1940-60 era.
John
Wayne (1970)
Born Marion Morrison in Winterset,
Iowa, in 1907, he adopted his screen name in 1930 for the Raoul Walsh film
The Big Trail. ("Duke" came from an Airedale dog Wayne had as a child
growing up in Glendale, California). After a long apprenticeship in
low-budget Westerns, director John Ford cast Wayne in Stagecoach (1939)
and launched him on a forty-year career as one of Hollywood’s brightest
stars and an American icon.
Among his most popular films are the
John Ford cavalry trilogy, Fort Apache (1948), She Wore a Yellow Ribbon
(1949), and Rio Grande (1950), and The Alamo (1960), True Grit (1969; Best
Actor Oscar), and The Shootist (1976).
John Wayne died in 1979.
Thomas
Thompson (1971)
Co-founder (with Nelson Nye) of
Western Writers of America and twice its president, Thomas "Tommy"
Thompson (1913-1993) was a native Californian who worked as a merchant
sailor, a nightclub entertainer, and a furniture salesman before becoming
a fulltime freelance writer in 1940. His first novel, Range Drifter,
appeared in 1949, his last, written after a twenty-one-year hiatus from
print fiction, was Outlaw Valley (1987). He worked ten years as script
writer, associate producer, and consultant on the "Bonanza" TV series, and
wrote for "Wagon Train," "Restless Gun," "The Rifleman," "Gunsmoke" and
other television productions. He also wrote the screenplays for Saddle the
Wind (1958, with Rod Serling), and Cattle King (1963).
John
Ford (1972)
Called "Coach" by John Wayne and
"Pappy" by other associates, John Ford (born John Martin Feeney in Maine
in 1895), most honored of all movie directors, began his directing career
in 1917. He soon became associated with Western movies, working at
Universal and Fox studios with Harry Carey, Hoot Gibson, Tom Mix, and Buck
Jones. In 1939 Ford directed Henry Fonda in Drums Along the Mohawk and
Young Mr. Lincoln, and John Wayne in Stagecoach, and in 1940-41 won
back-to-back Oscars for The Grapes of Wrath and How Green Was My Valley.
His Westerns--My Darling Clementine (1946), the Wayne "Cavalry trilogy,"
The Searchers (1956), The Man Who Shot Liberty Valence (1962),
Cheyenne
Autumn (1964) and others, are considered the prime classics of the genre.
He died in California in 1973.
Glenn Vernam (1973)
A Kansan with a 7th grade
schoolhouse-on-the-prairie education, Glenn Vernam’s chock-full life was
that of cowhand and rancher before and after he achieved success as a
writer, beginning in 1928. His best-known books are Indian Hater,
Pioneer
Breed, Redmen in White Moccasins, The Talking Rifle, The Power of the
Gods, and a nonfiction book, Man on Horseback (1969).
Former WWA president Paul Bailey, a
contemporary of Vernam’s, said of his friend, "From mile-and-sun-loppy
Stetson, to a pair of legs that time had bowed to a horse’s middle, Glenn
for us was the eternal figure of the authentic westerner..."
Vernam died in 1980 at his home on
Thunderbird Ranch near Joseph, Oregon.
W. Foster-Harris (1974)
Teacher and mentor to such
distinguished Western writers (and fellow Saddlemen and women) as Jeanne
Williams, Bill Gulick, and Fred Grove, W. Foster-Harris (1903?-1978) was
an Oklahoman, an educator, oilman, editor, and author. His fiction, most
of it Western but with a mixture of oilfield stories, humor, and adventure
tales, appeared in such pulp and slick magazines in the 1928-1950 era as
Argosy, Short Stories, All Western, Walt Coburn’s Western Magazine, and
Ace-High Western.
Foster-Harris wrote few books but his
The Look of the Old West (1955), a lively, illustrated description of the
weapons, tack, wagons, clothing, and gear of the Western frontier, remains
a classic standard work as does his The Basic Formulas of Fiction (1944).
Nellie
Snyder Yost (1975)
Although 4' 8" in height Nellie Yost
was a person to look up to. She was born in 1905 in a sod house in the
Nebraska Sandhills and published her first book, Pinnacle Jake, in 1951.
Her biography of William F. Cody, Buffalo Bill: His Family, Friends, Fame,
Failures, and Fortune (1979) remains a standard book on Cody, and such
other titles as Boss Cowman, Medicine Lodge, and A Man as Big as the West,
earned her awards from WWA and the Nebraska State Historical Society. She
served as the first woman president of the latter organization and held
the office for twenty years.
Yost died in North Platte in 1992.
Dorothy
M. Johnson (1976)
An Iowan educated at the University of
Montana, Missoula, Dorothy Marie Johnson (1905-1984), in addition to her
many other accomplishments, wrote four stories ("The Man Who Shot Liberty
Valance," "Lost Sister," "A Man Called Horse," and "The Hanging Tree")
that are regarded as among the finest in the Western genre (as are the
films made from three of them) and appear regularly in anthologies.
Johnson was a book, magazine, and
newspaper editor, a journalism professor, a novelist (Buffalo Woman, All
the Buffalo Returning), author of such nonfiction books as Famous Lawmen
of the Old West and The Bloody Bozeman, as well as short stories and young
adult books.
Elmer
Kelton (1977)
No Western writer, not even Zane Grey
or Louis L’Amour, has better defined the genre, or been more respected and
honored for his work than Elmer Kelton. A native Texan (born in Andrews
County in 1926) who writes of Texas and Texans, Kelton is recipient of a
record seven Spur Awards, several Western Heritage Awards, and three of
his books--The Day the Cowboys Quit, The Time it Never Rained, and
The
Good Old Boys, are regarded as among the best Western novels ever written.
The ultimate accolade from WWA was the vote by his WWA peers naming him
the Best Western Writer of All Time.
Kelton is author of fifty novels--the
first, Hot Iron in 1956--several nonfiction books, and many short stories.
He makes his home with his wife Ann in San Angelo, Texas.
A.
B. Guthrie, Jr. (1978)
Author of the masterpieces of Western
fiction The Big Sky (1947), The Way West (Pulitzer Prize, 1950),
These
Thousand Hills (1956), and Fair Land, Fair Land (1982), Alfred Bertram
Guthrie, Jr. (1901-1991) was a Indianan and another distinguished graduate
of the University of Montana at Missoula. His twenty-year career as
newspaperman and editor in Montana and Kentucky ended when he turned to
fiction writing and college teaching in the mid-1940s. Guthrie also wrote
screenplays (notably "Shane," for which he won an Academy Award, and "The
Kentuckian"), mysteries, short stories, a book of animal fables for
children (Once Upon a Pond), and a remarkable autobiography, The Blue
Hen’s Chick (1965).
Lewis B. Patten (1979)
A Denver native, Lewis Byford Patten
(1915-1981) was a Navy veteran, a one-time auditor for the Colorado
Department of Revenue, and a cattle rancher, whose writing career began in
1950 when he began selling stories to Mammoth Western and Zane Grey’s
Western Magazine. In the thirty years that followed he wrote ninety
Western novels for such publishers as Ace, Fawcett, Avon, Dell, Berkley,
NAL, and Doubleday. His first novel was Massacre at White River (1952),
his last, Track of the Hunter (1981). His Red Sabbath (1968), and
A
Killing in Kiowa (1972), earned Spur Awards and in 1989 The Best Western
Stories of Lewis B. Patten, was published by Southern Illinois University
Press.
C.
L. Sonnichsen (1980)
Born in Fonda, Iowa, Charles Leland
Sonnichsen (1901-1991), earned a Ph.D. degree in English literature at
Harvard and came to El Paso, Texas, in 1936 to teach at the Texas College
of Mines and Metallurgy. He intended to stay briefly, then return to an
Ivy League school to make a career. He remained at the "Mines" (later the
University of Texas at El Paso) forty-one years, rose to become Dean of
Liberal Arts, and fell in love with the Southwest and its history. His
first book, Billy King’s Tombstone (1942) was followed by twenty-six
others, including Roy Bean (1943), I’ll Die Before I’ll Run (1951),
Tularosa (1960), Pass of the North (1968), Tucson (1982), and
Pilgrim in
the Sun (1988).
Louis
L’Amour (1981)
One of the most recognizable names
among Western writers, perhaps the most recognizable, Louis Dearborn
L’Amour (1908-1988) of Jamestown, North Dakota, wrote well over 100 novels
in a career that began in 1950 and became the bestselling Western writer
of all time. His Hondo (1953, based on the screenplay of his story, "The
Gift of Cochise") and the John Wayne film made from it, secured his
career. Among his many excellent novels are Sitka (1957), Shalako (1962),
Down the Long Hills (1968), Where the Long Grass Blows (1976),
The Shadow
Riders (1982), and the sixteen books of the Sackett Saga.
L’Amour was awarded the Presidential
Medal of Freedom in 1984.
Eve Ball (1982)
Eve Ball (1890-1984), born Katherine
Evelyn Ball in Clarksville, Tennessee, earned degrees in Kansas
universities, taught in public schools in Kansas and Oklahoma, and taught
English and Apache Culture at the college level. Her interest in the
Apache people, and deep research into their culture, included nearly
thirty years interviewing Apache elders and ranchers in southern New
Mexico near the Mescalero Apache Reservation. Among her books, all of them
important and influential, are Ma’am Jones of the Pecos (1969), In the
Days of Victorio (1970), and Indeh: An Apache Odyssey (1980).
Ball moved to Ruidoso, New Mexico, in
1949 and died there, beloved and much honored, on Christmas Eve, 1984.
Bill
Gulick (1983)
Grover C. "Bill" Gulick’s work has
ranged from children’s books and novels, to outdoor dramas, screenplays
and such nonfiction classics as Snake River Country and Chief Joseph
Country: Land of the Nez Perce. At the University of Oklahoma in the
mid-1930s Gulick studied under Walter S. Campbell (Stanley Vestal) and W.
Foster-Harris, and wrote pulp fiction, later graduating to the supreme
"slick" magazine of the 1940s and 50s, The Saturday Evening Post. His
The
Man From Texas serial was filmed, as was his Bend of the Snake (1952) and
The Hallelujah Trail (1963).
Born in Kansas City in 1916 and a
long-time resident of Walla Walla, Washington, Gulick’s historical novels,
such as The Land Beyond, They Came to a Valley, and the Northwest Destiny
trilogy, are considered among the finest in Western literature.
He makes his home in Walla Walla,
Washington.
Dee
Brown (1984)
Author of some of the most celebrated
nonfiction books of all Western literature--The Gentle Tamers: Women of
the Old Wild West, The Galvanized Yankees, The Year of the Century, 1876,
and Bury My Heart at Wounded Knee (1971), Dee Alexander Brown’s career has
also included honored historical fiction. Beginning in 1942 with
publication of his David Crockett novel, Wave High the Banner, he is
author of Creek Mary’s Blood, Kildeer Mountain, Conspiracy of Knaves, and
many others.
Born in Louisiana in 1908, Brown was a
WWII era Army veteran and served as an agriculture librarian at the
University of Illinois. He resided in Little Rock, Arkansas, until his
death on December 12, 2002.
Leon
C. Metz (1985)
Southwestern historian and biographer
Leon Claire Metz, born in 1930 in Parkersburg, West Virginia, came to
Texas as an Air Force staff sergeant, settling in El Paso in 1954. He
worked at Standard Oil, and as a police officer and university library
archivist while researching what became the first of his sixteen books,
John Selman, Texas Gunfighter (1966). Metz is author of such histories as
Fort Bliss and Border and his fascination with Western outlaws and lawmen,
encouraged by his mentor, C. L. Sonnichsen, has continued to the present
day. His books on these subjects are Pat Garrett, the Story of a Western
Lawman, The Shooters, John Wesley Hardin, Dark Angel of Texas, and
An
Encyclopedia of Gunfighters, Outlaws, and Lawmen.
Leon and his wife Cheryl live in El
Paso, Texas.
Jack
Schaefer (1986)
Forever associated with his short
story-into-short novel Shane (1954), Jack Warner Schaefer (1907-1991) was
a native of Cleveland, Ohio, and a graduate of Oberlin College. He was a
career newspaperman and editor with United Press International, the New
Haven, Connecticut Journal Courier, the Baltimore Sun, Norfolk,
Virginia
Pilot, and other news and magazine outlets. He regularly wrote short
fiction for Collier’s, Holiday, The Saturday Evening Post, and similar
prestigious magazines.
Among Schaefer’s novels are
The Canyon
(1953; the author’s own favorite), The Pioneers, Company of Cowards,
The
Old Ramon, and Monte Walsh. Eight collections of his short stories have
been published, and nine nonfiction books, several for young readers.
Clint
Eastwood (1987)
Clint Eastwood, born in San Francisco
in 1930, drifted to Hollywood in 1955, played bit parts in Universal
films, and earned first recognition as the character Rowdy Yates in the
"Rawhide" TV series (1959-66). Following the end of the series, he
appeared as “The Man With No Name" in three of Sergio Leone’s enormously
popular "spaghetti Westerns," and returned from Italy as a marketable
star. Celebrated as "Dirty Harry" Callahan and smiled at for "Paint Your
Wagon" (1969), Eastwood is a versatile actor-director. His Western movies
include Two Mules for Sister Sara (1970), High Plains Drifter (1973),
The
Outlaw Josie Wales (1976), Pale Rider (1985), and The Unforgiven (1992).
Don
Worcester (1988)
Historian-novelist Donald E.
Worcester, born in Tempe, Arizona, in 1915, spent his youth as a cowboy in
the desert country until 1936 when he took his professor-mother’s advice
to get an education. He graduated from Bard College, then, in 1947 earned
a Ph.D. at the University of California and began his career as history
professor at the University of Florida and later at Texas Christian
University.
Worcester’s historical books, all
greatly respected, include The Apaches: Eagles of the Southwest, The
Chisholm Trail, The Spanish Mustang, and The Texas Longhorns. Among his
novels: The War in the Nueces Strip, Brazos Scout, and Gone to Texas.
Wayne D. Overholser (1989)
A member of an elite group of Western
writers with 100 or more books to their credit (Max Brand, Louis L’Amour,
Nelson Nye, Lauran Paine, and a few others), Washington-born Wayne D.
Overholser (1906-1996), began writing for pulp magazines in 1936, and rose
to eminence in the field after publication of his first novel, Buckaroo’s
Code (1947).
With degrees from the universities of
Montana and Oregon, Overholser became a public school teacher and
principal in Oregon in the years 1926-1945, thereafter and until his death
working as a professional freelance writer. In a writing life of sixty
years he also produced upwards of 400 short stories under his own and such
pennames as Dan J. Stevens, Joseph Wayne, John S. Daniels, and Lee
Leighton.
Max
Evans (1990)
Cowboy, rancher, trapper, prospector,
artist, and for over forty years an eminent figure in Southwestern
letters, Max Evans was born in Ropes, Texas, in 1925. He served in the
infantry in Europe in WWII and published his first book, Long John Dunn of
Taos, in 1959. Evans’s The Rounders (1965) and the film made from it,
introduced him to Hollywood and associations with such directors as Sam
Peckinpah, about whom Evans has written two seminal books. The author’s
The Hi-Lo Country, 1961, also became a beautifully rendered movie in 1998.
Evans is also author of
The Mountain
of Gold (1965), Bobby Jack Smith, You Dirty Coward! (1974), Bluefeather
Fellini (1993), Faraway Blue (1999), and most recently Madam Millie
(2002), a no-holds-barred biography of a Silver City, New Mexico, bordello
keeper. He is co-editor of a book of short stories written by ranchwomen
and cowboys, Hot Biscuits, (2002) that he worked for twenty years to
collect.
Max Evans lives with his wife Pat in
Albuquerque, New Mexico.
The Owen Wister Award
With Levi Strauss’ decision to retire
the Saddleman Award after the 1990 WWA convention, a committee chaired by
novelist Win Blevins originated plans for a new award for
"Lifetime Achievement" in Western history and literature. Named for the
"father" (1860-1938) of the Western story and author of The Virginian
(1902), the Owen Wister Award was adopted by the Executive Board of
Western Writers in time for the Oklahoma City convention in 1991. Glendon
Swarthout was a popular choice to be first recipient of the new Award.
The first four recipients of the
Wister received a stylized engraved bronze figure of a cowboy until, at
the Billings, Montana, convention in 1994, Texas sculptor Robert H. Duffie
was commissioned to design an original bronze work to be given each past
and future Wister awardee. His magnificent buffalo design continues to
symbolize WWA’s highest honor.
No award was given in 1998.
The Owen Wister honorees are:
Glendon
Swarthout (1991)
A literary stylist of the first order,
Glendon Fred Swarthout (1918-1992), born in Pinckney, Michigan, earned a
doctorate at Michigan State University and served as a professor there and
at the University of Maryland after combat service in WWII. His first
Western novel, They Came to Cordura (1958) was adapted for a memorable
film starring Gary Cooper. Following, between non-Western novels and
children’s books in collaboration with his wife Kathryn, were such novels
as The Cadillac Cowboys, Bless the Beasts and Children, The Tin Lizzie
Troop, The Shootist (1975, John Wayne’s last film), The Old Colts, and
The Homesman.
Kathryn Swarthout and the couple’s
son, Miles Hood Swarthout, are active members of WWA.
Tom
Lea (1992)
Son of a mayor of El Paso, Texas, Tom
Lea (1907-2001) earned success as a Southwestern artist before turning to
fiction. He attended the Chicago Art Institute and worked as an art
teacher there before becoming a combat correspondent for Life in WWII
Pacific campaigns. After returning to his hometown he wrote and
illustrated his first novel, The Brave Bulls (1949). The Wonderful Country
followed in 1952 (adapted into a film starring Robert Mitchum), The Primal
Yoke in 1960 and The Hands of Cantú in 1964.
Lea’s two-volume history of The King
Ranch (1957) remains the standard work, and his war books, Grizzly from
the Coral Sea and Peleliu Landing, are prized collector’s items.
A sumptuous collection of his
paintings, The Art of Tom Lea, was published in 1989.
Douglas C. Jones (1993)
Like Max Evans and Tom Lea, Douglas
Clyde Jones, born in 1924 in Winslow, Arkansas, was a gifted artist in
paint and print, and in common with the others, served in combat in WWII.
Jones, in fact, made a career of the Army (1943-1968) before turning to
fiction in 1976 with publication of his The Court-Martial of George
Armstrong Custer. This best-seller, based on the premise that Custer
survived the Little Bighorn battle, was followed by such memorable novels
as Arrest Sitting Bull, A Creek Called Wounded Knee, Winding Stair,
Elkhorn Tavern, Gone the Dream and Dancing, Come Winter, and others.
Jones’s single nonfiction book was
The
Treaty of Medicine Lodge (1966). He died in 1998.
Robert
M. Utley (1994)
Among the greatest of Western
historians, Robert M. Utley (born in Arkansas in 1929) is a graduate of
Purdue with an M.A. from Indiana University and served twenty-five years
with the National Park Service. A world authority on the Plains Indians,
the Lincoln County War and its participants, and the Army of the West, he
is author of a dozen celebrated books and countless magazine and journal
studies. His works include The Last Days of the Sioux Nation, Frontiersmen
in Blue, High Noon in Lincoln, Cavalier in Buckskin, Billy the Kid: A
Short and Violent Life, The Lance and the Shield, A Life Wild and
Perilous: Mountain Men and the Paths to the Pacific, and a history of the
first century of the Texas Rangers, Lone Star Justice.
Robert Utley and his wife Melody Webb
live in Georgetown, Texas.
Gordon D. Shirreffs (1995)
A ground-breaker in Western fiction,
Gordon Donald Shirreffs (1914-1996) began writing for pulp magazines while
stationed at Fort Bliss, Texas, in 1940. A Chicago native, and an infantry
captain in WWII, even his early stories were inbued with realistic
sexuality and treatment of violence. He wrote often of Apaches, Mexico,
and the Mexican border country--Rio Bravo, Massacre Creek,
The Border Guidon, Judas Gun, and Showdown in Sonora, among many others. His
masterwork is his Quint Kershaw trilogy: The Untamed Breed (1981),
Bold
Legend (1982), and Glorieta Pass (1984), the first of the three acclaimed
as among the finest of mountain man novels, comparable to those by Vardis
Fisher, Bill Gulick, and A. B. Guthrie.
David Lavender (1996)
When David Lavender (born in
Telluride, Colorado, in 1910) graduated from Princeton in 1931, he
intended following a law career. Then, after a year at Stanford, he
decided to prospect for gold in Ouray, Colorado, soon after took over his
family’s ranch during the Depression, and when it failed, moved to Ojai,
California, to make a living as a writer and teacher.
His first book, the autobiographical
One Man’s West appeared in 1943, to be followed by The Big Divide,
Bent’s
Fort (1954--the first nonfiction book to receive a Spur Award), Land of
Giants, The Fist in the Wilderness, beyond argument the best book on the
Lewis and Clark expedition, The Way to the Western Sea, and Let Me Be
Free: The Nez Perce Tragedy (1992).
José Cisneros (1997)
John O. West, José Cisneros’s
biographer, once wrote that the life of this "gentle giant" "makes Horatio
Alger look like an underachiever." Born in Durango, Mexico, in 1910, the
year of the Great Revolution, Cisneros and his family emigrated to Cuidad
Juárez and later to its sister city, El Paso, Texas, where José became a
naturalized citizen. His artistic gift was evident even as a teenager, and
his works--in particular his pen-and-inks of horses and horsemen--have
appeared in hundreds of books and magazines.
Long associated with the master book
designer Carl Hertzog, and with such authors as J. Frank Dobie, C. L.
Sonnichsen, J. Evetts Haley, and Carlos Castañeda, Cisneros is himself
author of such illustrated books as Riders of the Border, Faces of the
Borderlands, and Riders Across the Centuries.
Norman
Zollinger (1999)
Fifty-seven years old when his first
novel (Riders to Cibola) appeared in 1978, Norman Zollinger (1921-2000)
rose quickly to a mastery of the historical novel. All his books are
critically hailed as works of literature: Corey Lane, Passage to Quivera,
A Rage in Chapadera, Not of War Only, Chapultepec, Meridian: A Novel of
Kit Carson’s West, and his last, posthumously published, The Road to Santa
Fe.
Born of Swiss parentage in the east
Chicago suburbs, Zollinger attended college in Iowa, joined the Air Force
in WWII and flew fifty-one combat bombardment missions over Germany,
Austria, Romania, Hungary, and Czechoslovakia--five to the oil fields at
Ploesti. He was a plastics company executive before moving to New Mexico
in the early 1970s.
Dale
L. Walker (2000)
Born in Decatur, Illinois, in 1935,
the son of a career Army sergeant, Dale Lee Walker moved to El Paso,
Texas, in 1959 after four years in the Navy, and in 1962 graduated from
the University of Texas at El Paso with a journalism degree.
He is or has been a newspaper book
page editor, book and magazine writer, director of a university press,
magazine editor, book reviewer, book columnist, anthologist, and
consulting editor for Tor/Forge Books of New York.
He is author of seventeen biographies,
literary studies (several on Jack London’s life and work) and Western
historical works, most recently: Legends and Lies (1997), The Boys of ’98
(1998), Bear Flag Rising (1999), Pacific Destiny (2000), and
Eldorado: The
California Gold Rush (2003).
Dale L. Walker and his wife Alice live
in El Paso, Texas.
Richard
S. Wheeler (2001)
Master of the Western historical novel
and four-time Spur Award winner, Richard Shaw Wheeler spent a decade as a
newspaperman in the West, and many years as a Western book editor before
his first novel, Bushwack, was published in 1978. His fifty-one books
include several successful series (the "Barnaby Skye" novels number
thirteen titles since 1989). He is author of such historicals as The
Buffalo Commons, Aftershocks, and The Fields of Eden; the biographical
novels Masterson, Eclipse (Lewis and Clark), and Exile (Thomas Francis
Meagher); novels set in gold and silver mine camps: Cashbox, Goldfield,
Sierra, Second Lives, and Sun Mountain, and the non-traditional Westerns
Richard Lamb, Dodging Red Cloud, Winter Grass, and Where the River Runs.
Born in Milwaukee in 1935, Wheeler
makes his home in Livingston, Montana.
David
Dary (2002)
Television news editor and director,
journalism teacher and administrator, and historian, David Dary (born in
Manhattan, Kansas, in 1934) won acclaim for his The Buffalo Book (1974)
and the acclaim has sustained for each Dary book, each a model of clarity
and style, that has followed: three books on Kansas history, Cowboy
Culture, Entrepreneurs of the Old West, Seeking Pleasure in the Old West,
Red Blood and Black Ink, and The Santa Fe Trail.
Dary has worked as an editor for CBS
and NBC, served as journalism professor at the University of Kansas for
twenty years, and as director of the H. H. Herbert School of Journalism at
the University of Oklahoma for the ten years before his retirement from
academic life in 2000.
He lives with his wife Sue in
Norman, Oklahoma.
Don
Coldsmith (2003)
Don Coldsmith was born in Iola, Kansas
in 1926, grew up near the Oklahoma border, in Coffeyville, and is
descended from true pioneers. He has written historical novels, Tallgrass
and South Wind, which expand the documented history of his Kansas home,
and he has also delved deep into the prehistory and archaeology of his
native plains and state in his monumental Spanish Bit Saga.
The Trail of the Spanish Bit, the
first novel of Don’s most popular series, originated when he discovered an
old bit in a bin in an Oklahoma antique shop. The Spanish Bit Saga
encompasses tales of numerous tribes, real and fictional: Pawnee,
Comanche, Osage, Kaw or Cenzas, Lakota, Head Splitters, Horn People, and
forest and mountain bands. It begins with the coming of the white man and
covers centuries of struggle against white pressures, Spanish, French,
Mexican, Texan, and United States. Other titles are Walks in the Sun,
Bride of the Morning Star, Moon Thunder, Buffalo Medicine,
Medicine Hat,
and Track of the Bear.
In addition to writing, he has been
grain inspector, disc jockey, clergyman, taxidermist, mail-order gunsmith,
baritone in a barbershop quartet, family practice physician, rancher,
lecturer, columnist, and college professor. In 1958, Don received his
doctorate in medicine in surgery from the University of Kansas Medical
Center. He and his wife, Edna, make their home in Emporia, Kansas, where
he practiced family medicine for thirty years.
Matt
Braun (2004)
Matt Braun has been honored with the
National Festival of the West Cowboy Spirit Award and a Spur Award for The Kincaids and
Dakota. His novel, Black Fox, was adapted for a six-hour CBS
mini-series. Sam Elliott and Katherine Ross starred in the adaptation of
Matt’s One Last Town, which TNT renamed You Know My Name.
Matt Braun resides today in the hills
of western Connecticut with his wife, Bettiane, far from the open spaces
of Oklahoma and Texas.
Judy Alter (2005)
Judy Alter is a past president of
Western Writers of America, former secretary-treasurer of the Texas
Institute of Letters and has been director of TCU Press since 1987. Her
1987 novel, Mattie (Doubleday), the story of an early-day Nebraska woman
doctor, won a Spur Award from WWA, Luke and the Van Zandt County War, was
named Best Juvenile Novel of 1984 by the Texas Institute of Letters, and
two short stories, "Fool Girl" and “Sue Ellen Learns to Dance” have won
Western Heritage Wrangler Awards from the National Cowboy and Western
Heritage Museum “Sue Ellen Learns to Dance” also won a Spur Award from
Western Writers of America.
She writes novels for adults including
Sundance, Butch and Me, Cherokee Rose, Jessie, based on the life of Jessie
Benton Frémont, wife of explorer/soldier/statesman John Charles Frémont,
and her book, Libbie, which reconstructs the life of Elizabeth Bacon
Custer, wife of General George Armstrong Custer. She also writes for young
adult readers including such titles as Sam Houston Is My Hero, Callie
Shaw, Stableboy, Maggie and a Horse Named Devildust, Maggie and the Search
for Devildust, Maggie and Devildust--Ridin' High, After Pa Was Shot, and
Katie and the Recluse, is the author of a critical biography of Texas
novelist Elmer Kelton (published by the University of North Texas Press,
1989) and has written several nonfiction "first books" for children.
Judy makes her home in Fort Worth,
Texas.
Andrew
J. Fenady (2006)
Andrew J. Fenady, is an extraordinary
Western novelist, motion picture screenwriter and producer, song lyricist,
stage play writer, and creator of network television “Movie of the Week”
features and TV series, including the classic “The Rebel.”
He created “The Rebel,” produced
Branded, and wrote screenplays, including John Wayne's Chisum, plus
Broken Sabre and Ride Beyond Vengeance. Fenady has written thirteen novels,
including Claws of the Eagle: A Novel of Tom Horn and the Apache Kid
(Walker & Company), Runaways (Walker & Company and Putnam Berkley),
Summer
of Jack London (Walker & Company and Berkley) and There Came a Stranger
(Tor-Forge). Dorchester Publishing (Leisure Books) has published
Double
Eagle, Riders To Moon Rock, a reprint of The Rebel: Johnny Yuma, and
Big
Ike.
He also wrote the lyrics to several
theme songs, including “Johnny Yuma Was a Rebel” for the television show,
“You Can’t Ever Go Home Again” for Ride Beyond Vengeance and “The Ballad
of John Chisum” for Chisum, and “See the Man With Bogart’s Face” and
“Looking At You” for The Man With Bogart’s Face.
Fenady lives in Los Angeles,
California, with his wife Mary Ann.
John
Jakes (2007)
“Reading’s the means by which the lowest
man can lift himself from a state of ignorance,” a London printer informs
Phillipe Charboneau in The Bastard. “You see how popular my little loan
library up front has become. The masses are hungry for words and more
words.”
In 1974, the masses hungered for the words
of John Jakes. Three decades later, that hunger hasn’t been appeased
although he has written some sixty books and 200 short stories.
When Pyramid Books commissioned Jakes to
write a five-volume saga of an American family, christened The American
Bicentennial Series, no one could foresee its impact on publishing,
historical fiction, or Jake’s career. Yet The Bastard, the first book in a
series that grew to eight volumes and became known as The Kent Family
Chronicles, became a phenomenal bestseller. A syndicated TV movie
followed, and when the next three installments (The Rebels, The Seekers,
and The Furies) were published in 1975, Jakes became the first writer to
score three books on The New York Times bestseller list in one year.
The
Kent Family Chronicles have seen more than 55 million copies in print,
while Jakes’ follow-up series, the North and South trilogy--North and
South, the first book in the series, came out in 1982, introducing readers
to the Mains of South Carolina and the Hazards of Pennsylvania. The novel
streaked to No. 1, as did the next two installments, Love and War in 1984
and Heaven and Hell in 1987--sold 10 million copies, and ABC scored top
ratings for the miniseries version of those three bestsellers.
He wrote for the pulps:
Ranch Romances,
Max Brand’s Western, .44 Western and 10-Story Western — and sold his first
Western novel to Ace Books, which published Wear A Fast Gun in 1956. Other
historical novels followed: Homeland, American Dreams, On Secret Service,
Charleston, Savannah: Or, A Gift For Mr. Lincoln, and, The Gods
of Newport. Short Western fiction also appeared: “Little Phil and the
Daughter of Joy” (under the pseudonym John Lee Gray), “Shootout at White
Pass,” “Dutchman,” “Carolina Warpath” and, in 1994, a gem of a tale called
“Manitow and Ironhand.”
John Jakes currently divides his time
between homes in South Carolina and Florida.
Tony
Hillerman (2008)
Tony Hillerman
retired from the University of New Mexico in 1987 and kept writing
successful, best-selling mysteries: Talking God, Coyote Waits,
Sacred Clowns, The Fallen Man, The First Eagle, Hunting Badger, The
Wailing Wind, The Sinister Pig, Skeleton Man. Mystery Writers of
America presented him the Grand Master Award in 1991, and Hillerman
took his second Spur in 2007 for The Shape Shifter.
“Growing up
with Indians in Oklahoma, I knew how they are,” he says. “In the
first place, you don’t want them thinking you think they’re absurd
or odd. You let them know you’re really interested, as I really was,
and before long, I could ask them about taboos, holy people. I got
acquainted with a couple of archaeologists, and the basement of the
[university] library had rows and rows of papers of sociologists,
anthropologists, writings about all sorts of stuff, describing sweat
lodges, various types of initiations, taboos, and inhibitions. I
spent many a night and many hours reading those, and then I’d ask
the Navajos about it.
“I got called
on mistakes in my novels, like when I’d mention a guy getting off
interstate so-and-so and turning right to go to Gallup when he
should have turned left, stuff like that, but the religious stuff, I
was very careful with that and the Hopis, too, and the Zunis, and
anybody else I ran across.”
He doesn’t
write from an outline, “except in my mind,” he says, but comes up
with a basic idea — including a crime, of course — and then begins
an intensive research phase, talking to Navajos, archaeologists,
anthropologists, reading, reading, and reading more.
His favorite
part of writing?
“It’s when
you’ve worked your way through a problem and you turn on the
computer and start writing and the words just flow out, and, sure
enough, you know it’s going to work. I like that.”
And he offers
this advice for any writer just starting out.
“I did a
book-signing years back in California with (Elmore Leonard), and he
owed his success to cutting out all the stuff nobody reads. But me?
That’s what I write, so I think it’s great to set your story in some
spectacular country where, when there’s not much happening with your
characters or plot, you can always write about what your characters
are seeing.”
In between
The Blessing Way and The Shape Shifter, he has written
essays, articles, introductions, even a children’s book (The Boy
Who Made Dragonfly: A Zuni Myth) and a memoir (Seldom
Disappointed), not to mention a non-Southwestern mystery,
Finding Moon. A collection of his nonfiction, The Great Taos
Bank Robber, was first published in 1973. He has seen his works
brought to the screen, such as on PBS’ Mystery! series, still
consistently hits the best-seller lists, and is toying with a few
nonfiction assignments and maybe another Leaphorn-Chee mystery.
All in all,
the past eighty-two years have been a wonderful run.
“They’ve been
far better than anyone deserves,” he writes in his memoir, “two
thirds of them brightened with Marie ... notable for fortunate
outcomes and rare disappointments.”
Written by Johnny D. Boggs
Elmore Leonard (2009)
Of his writing habits, Leonard says, “I
write every day when I’m writing a novel. Some weekends, a few
hours every day. I want to stay with the story. If I miss a day or
two, it’s difficult to get the rhythm of it. I’m lucky to get four
clean pages a day. They’re clean until the next day. I don’t look
at this as work. It’s not a test of any kind, any kind of proof of
what I can do. I have a good time.”
He prefers to write in third
person as opposed to first person. “I don’t want to be stuck with
one character’s viewpoint because there are too many viewpoints.
And, of course, the bad guys’ viewpoints are a lot more fun.”
In 1982 Leonard published
“The Tonto Woman,” a Western short story in Roundup--An
anthology of Great Stories by the Western Writers of America,
edited by Stephen Overholser.
The story revolves around a white woman
who was kidnapped from her home by Apaches, then traded to Mojave
Indians. She is found by her husband after eleven years, but he
decides she is not fit to mix with society, so he keeps her in a
shack in the desert. She is befriended by a Mexican, and ultimately
learns she has control over her own life.
“The Tonto Woman” was made
into a short film in 2008. It was directed by Daniel Barber, and
the screenplay was written by Joe Shrapnel. The film was nominated
for an Oscar in the short film category, and is Elmore Leonard’s
most recent Western to grace the movie screen.
Asked what keeps him going
after over fifty years of writing professionally, Leonard says,
“It’s [writing] the most satisfying thing I can imagine doing, and
I’m still trying to make it better.”
His crime novels have
defined an era. Works in crime fiction, such as Get Shorty,
Jackie Brown, and Out of Sight, have made Elmore
Leonard a household name. But his Westerns are the foundation of an
amazing career. They have helped shape a generation and preserve a
genre. That is a legacy of which any writer could be proud.
Written by Larry D. Sweazy